4/ As Above So Below
Garment Installation, PROJECTbyH. SS22（2021.）
Centered on the exploration of shifting perspectives, the act of re-deconstruction becomes a form of expression, challenging conventional viewing angles to unveil the essence of the "human body" through a unified, top-to-bottom one-piece layout.
In this realm where everything converges into a singular entity, the dichotomy of values and duality finds multifaceted interpretations through our own varied lenses. With a mere toggle of the mental switch, realities may shift, echoing the timeless axiom: "As above, so below," where the external world mirrors the internal landscape of the self.
Just as the roots of a tree, hidden from sight, mirror the size of the branches above, our perception is often confined to a single viewpoint. To grasp the entirety of the panorama, we must embrace the fluidity of perspectives, transcending the limitations of singular vision. What lies above is intrinsically linked to what lies below.
Traditionally, clothing has been subjected to a fixed, horizontal gaze, fostering a collective consciousness shaped by unconscious biases. This season, however, we embark on a departure from this horizontal inertia, venturing into the realm of "vertical" creativity. Reflecting the core ethos and innovative craftsmanship of PROJECTbyH., we invite exploration of new realms of thought and philosophical discourse.
4/ 如其在上，如其在下
服裝裝置藝術, PROJECTbyH. 2022春夏（2021.）
以切換創作視角為主軸，重複解構現有服裝的表現形式，扭轉常態的觀賞角度，以「上至下」以及「下至上」的完整一片式版型，把「人體」展現於此。
萬物皆為一，所有的價值以及二元世界，皆是我們「視角」建立而成，心念一轉，萬物皆轉，如上其下，你正在看的，也是你的一部分。
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完整的一棵樹，是包含底地下視線不可見的根，往往地表上的樹有多高，土壤裡的樹根就有多深。萬物皆是如此，眼睛所見永遠都僅是單一視角的表現，要感受世界全貌，我們就得透過視角的切換，尋找整體。如其在上，如其在下。
服裝，一直以來也有著固定的觀賞視角，框架就在這麼不知不覺之中，潛移默化地建立在我們的集體意識之中，而本次的創作與思維脈落，就是在嘗試抽離這「水平視角」的慣性，尋找由上至下或由下至上的創作可能性，進而體現 PROJECTbyH. 核心的服裝哲學與先鋒工藝，分享思維與哲學理念。