5/ As Within So Without

 

Garment Installation, PROJECTbyH. aw22（2022.）

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The concept of "Letting go" stands distinct from "giving up," signifying the dismantling of unnecessary limitations through introspection and shifts in perspective.

In a profound journey of self-exploration, individual compositions are meticulously dissected, traversing from inner depths to outer manifestations and back again, culminating in a harmonious integration of the inner and outer self.

As within, so without.

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Upcycled fabric remnants undergo a meticulous transformation, pieced together to breathe life into a new form. With one side sewn inside-out, this form is bifurcated, symbolizing the entrenched dichotomies within societal and moral frameworks, while seeking to bridge the divide between human consciousness and clothing. Employing intricate handmade techniques, potent creative energies are unleashed. Through the repurposing of discarded fabrics and the embodiment of the body as a blueprint, conventional perspectives are inverted, paving the way for an alternative narrative surrounding attire.

4/ 如其在內，如其在外

 

服裝裝置藝術, PROJECTbyH. 2022秋冬（2022.）

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放手非放棄，而是捨去不必要的枷鎖，審視自我、切換視角，然後褪去軀殼。

 

深入內心探索、剖視個體組成，由內至外、由外至內，進而合一。

 

As within, so without，如其在內，如其在外。

 

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拼接再生的布料譜出人體樣貌，解構後以左和右對比表與裏，點出正反的二元框架，以此尋找服裝工藝與肉身和意識的連結。

 

運用繁複手工服裝工藝，展現強大的創作能量，重複再利用廢棄之布料，並以軀體為藍圖，扭轉常態慣性的視角，引導出另類看待服裝的方式。